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Issue 110Jan / Feb 2010ContentsnewsBurnt mound theory tested to perfection Dig find proves flowers placed in bronze age graves UK's first complete Roman lantern found in Suffolk Research continues as Saxon hoard is valued at £3.3m featuresNewhenge: Latest discoveries and interpretations from the Stonehenge Riverside Project team Dig the beat: Exploring pop music from an archaeological perspective, including additional online content THE BIG DIG Mellor: A hillfort in the garden: This long-running research excavation near Stockport, Greater Manchester, is now ready for publication The Peat Men from Clonycavan and Oldcroghan: Findings of the Bog Bodies Research Project at the National Museum of Ireland, with Bibliography lettersyour views and responses on the webCaroline Wickham-Jones looks at archaeological gifts Dan Pett summarises the website set-up and technologies for the Staffordshire Hoard spoilheapfaux pas scienceSebastian Payne asks what cremation burials can tell us in viewGreg Bailey is impressed by Open University broadcasting CBA CorrespondentLynne Walker and Sue Morecroft look at the past year of listed building casework my archaeologyDavid Attenborough remembers the early days of television
ISSN 1357-4442 Editor Mike Pitts |
additional contentdig the beat![]() Paul Jones of the band Voo, recording in the University of Liverpool Studio in 2008. Voo feature among the downloadable tracks. [credit] INSTITUTE OF POPULAR MUSIC In Dig the beat, Sara Cohen, Brett Lashua and John Schofield go to Liverpool to ask what happens when popular music making is examined from an archaeological perspective. To accompany this feature they have created a soundtrack specially for British Archaeology readers, with an eclectic playlist of music encountered during the Popular Musicscapes project (2007–09). Some tracks were recorded at the School of Music Studios, University of Liverpool, through collaboration between Lashua and participating musicians (mainly rock and hip hop). Others were acquired through historical and archival research. There are 17 tracks altogether, ranging from urban and indie rock to boogie woogie, radical folk and country rock. They can be downloaded from the University of Liverpool free of charge. |
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