British

Archaeology

The voice of archaeology in Britain and beyond

Cover of British Archaeology 110

Issue 110

Jan / Feb 2010

Contents

news

Burnt mound theory tested to perfection

Dig find proves flowers placed in bronze age graves

UK's first complete Roman lantern found in Suffolk

Research continues as Saxon hoard is valued at £3.3m

in the press

in brief & phase 2

features

Newhenge: Latest discoveries and interpretations from the Stonehenge Riverside Project team

Dig the beat: Exploring pop music from an archaeological perspective, including additional online content

THE BIG DIG Mellor: A hillfort in the garden: This long-running research excavation near Stockport, Greater Manchester, is now ready for publication

The Peat Men from Clonycavan and Oldcroghan: Findings of the Bog Bodies Research Project at the National Museum of Ireland, with Bibliography

letters

your views and responses

on the web

Caroline Wickham-Jones looks at archaeological gifts

Dan Pett summarises the website set-up and technologies for the Staffordshire Hoard

spoilheap

faux pas

science

Sebastian Payne asks what cremation burials can tell us

in view

Greg Bailey is impressed by Open University broadcasting

CBA Correspondent

Lynne Walker and Sue Morecroft look at the past year of listed building casework

my archaeology

David Attenborough remembers the early days of television

 

ISSN 1357-4442

Editor Mike Pitts

additional content

dig the beat

Paul Jones

Paul Jones of the band Voo, recording in the University of Liverpool Studio in 2008. Voo feature among the downloadable tracks. [credit] INSTITUTE OF POPULAR MUSIC

In Dig the beat, Sara Cohen, Brett Lashua and John Schofield go to Liverpool to ask what happens when popular music making is examined from an archaeological perspective. To accompany this feature they have created a soundtrack specially for British Archaeology readers, with an eclectic playlist of music encountered during the Popular Musicscapes project (2007–09). Some tracks were recorded at the School of Music Studios, University of Liverpool, through collaboration between Lashua and participating musicians (mainly rock and hip hop). Others were acquired through historical and archival research. There are 17 tracks altogether, ranging from urban and indie rock to boogie woogie, radical folk and country rock. They can be downloaded from the University of Liverpool free of charge.

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