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Issue 111Mar / Apr 2010ContentsnewsNew centre for Stonehenge – if drivers agree British archaeologists help record Armenian rock art Geophysics finds encourage new look at Stanton Drew Dramatic rock art discovery in Swaledale featuresThe Future of our Past (not online)In the run-up to the General Election, the parties give their views on heritage 410–2010: Rome and BritainIntroducing the events and issues commemmorating 1600 years since the end of the Romans in Britain THE BIG DIG: Barcombe Roman VillaWhat was it like to live in rural Roman Britain? Report on 11 seasons of fieldwork at the villa and bath house Polynomial texture mapping for archaeologists (not online)A new imaging technique is relatively easy and cheap to operate, yet has enormous possibilities in archaeology Introducing Stonehedge and other curious earthworksStonehenge is the focus of unprecedented research. Yet the site was last surveyed in 1919, until now... Remembering FromellesOne of the most pointless battles of the First World War, with great loss of life, occurred at Fromelles in northern France. Only now are some of the dead being honoured with individual graves on the webCaroline Wickham-Jones looks at e-material Adrian Green describes the new website for Salisbury Museum sciencerequiemA tribute to some of the archaeologists and lovers of antiquity who died in 2009 lettersyour views and responses CBA CorrespondentMike Heyworth considers the thorny issues of treasure and responsible detecting
ISSN 1357-4442 Editor Mike Pitts |
newsNews is written by Mike Pitts New centre for Stonehenge – if drivers agreePlans for new facilities for Stonehenge, the first significant development for the monument since the underpass was built in 1967, were approved by the new Wiltshire council on January 20. The decision ends years of argument about what should replace existing arrangements and where this should go. The new reception site will be at Airman's Corner, 2.5km west of the stones. As consent was given for parking arrangements and a building with cafe, shop and museum displays, Wiltshire council published a proposed driving prohibition order to affect the a344 road as it passes Stonehenge, and two nearby byway routes. The A344 closure is all that remains of a grander project costed at £540m. This would have seen the A303 in a tunnel and a £79m visitor centre east of Stonehenge. It was dropped by the government in late 2007 as too costly (feature, Mar/Apr 2008), and replaced by the present scheme as a "temporary" solution to greet the 2012 Olympics. After a public consultation (feature, Sep/Oct 2008), the Airman's site was chosen in May last year. Architects Denton Corker Marshall's design of separate car parking and partially concealed coach parking, and a building of two transparent boxes capped by a floating roof, was mostly welcomed. It was critiqued by CABE (the Commission for Architecture and the Built Environment) as "lacking... a feeling for [the] landscape". CABE was also concerned that the "appealing" canopy would "require a highly engineered solution", raising possible cost issues. English Heritage chief executive Simon Thurley was upbeat about the project, telling British Archaeology that "money's not going to be the problem", dismissing talk that English Heritage's powers may be diminished under a future government. However he was concerned that objections to the proposed byway restrictions from the "motorbike scrambling lobby" could jeopardise the entire scheme. DCM director Stephen Quinlan shared this worry, suggesting readers support the driving prohibition by responding to the consultation, which closed on February 15. Salisbury MP Robert Key said he has ensured that "Conservative front benches are properly briefed", in the event of a change in government. "I believe they will see the sense in pursuing this", he added. In January, the Salisbury and South Wiltshire Museum and the Wiltshire Heritage Museum, Devizes, said they had agreed to loan objects for display at the new centre. British archaeologists help record Armenian rock artWithin an extinct volcano beside a glacial lake at 3300m above sea level between the Black and Caspian seas, is one of the worlds' most extraordinary outdoor galleries of ancient art. Little known outside Armenia, thousands of prehistoric carvings are pecked on the smooth surfaces of glaciated rocks and boulders. A new joint UK-Armenian project has set out to study this art. Returning from the first field season, archaeologists report that the carvings are threatened by the harsh climate and by tourists who reach this remote location in 4-wheel-drive vehicles. In summer Mt Ughtasar is a landscape of pools and now ungrazed meadows, but for most of the year it is under deep snow. During 12 days of fieldwork last summer, the Ughtasar Rock Art Project recorded over 150 carved rocks (including hundreds of individual petroglyphs) within 12 50m×50m grid squares. The motifs include long-horned bezoar goats (still occasionally seen in Armenia) as well as deer, cattle, wolves or dogs, human figures, "snakes" and what are described as "a number of particularly expressive leopards". On one day of informal fieldwalking, archaeological features were found including stock enclosures with decorated stones built into them, and possible graves. Standardised recording forms and photography were used, but no rubbings were taken to avoid harming the art. Little is known about who made the petroglyphs or when, though it has been suggested they date from the fifth to second millennia BC. Depictions of wheeled transport may indicate a bronze age date (3500–1200BC), and some of the motifs appear on ceramics and bronze artefacts excavated from bronze age burials. The land is too high for permanent settlement, but until quite recently was used by lowland farmers for summer grazing. The project is codirected by Tina Walkling, a mature student at Reading University, and by Anna Khechoyan and Armen Asryan in Armenia. Team members include Chris Musson, Heather James and Richard Walkling. Almost entirely self-funded, the project is sponsored by the Landscape Research Centre in the UK and the Institute of Archaeology and Ethnography of the National Academy of Sciences in Armenia. Geophysics finds encourage new look at Stanton DrewIn 1997 English Heritage announced the results of a geophysics survey at the Stanton Drew stone circles, Somerset: the largest known timber henge had been found inside Britain's second largest stone circle. It is thought to have been contemporary with smaller henges at Stonehenge and Avebury, yet there has been little further research or excavation at Stanton Drew. Last July a local archaeological group conducted its own survey, which it now says revealed significant new features and should be completed and extended to take in the surrounding area. Working with Richard Sermon, archaeological officer for Bath and North-East Somerset, members of the Bath and Camerton Archaeological Society (BACAS) used a modern Bartington luxgate gradiometer (cheaper than English Heritage's caesium vapour magnetometer). In a sample area of the stone circle, they were able to map the posthole rings seen earlier. They also found anomalies between the stones of the circle, which John Oswin and John Richards (BACAS) and Sermon suggest may be contemporary features. Though not revealed before by geophysics, similar features had been claimed earlier in the year by dowser Paul Daw. At the nearby Cove, traditionally seen as a freestanding structure of the same age as the circles, various surveys suggested the stones may in fact be the remains of a much older long burial mound, possibly extending some 50m and into the adjacent pub garden. Dramatic rock art discovery in SwaledaleA large sandstone panel decorated with cups and grooves is being described as one of the most impressive recent discoveries of enigmatic prehistoric carvings in upland areas of England and Scotland. It was found last November by Michaela Lambert during research and fieldwork in Swaledale, North Yorkshire, with Paul and Barbara Brown and Andy Murray. They also found several examples of less elaborately marked rocks. The scale of prehistoric rock carving in Britain has become apparent only in recent years, largely thanks to several determined independent fieldworkers. Over 1,000 marked rocks in Northumberland have been published, and many more have been mapped across northern England: Yorkshire alone has nearly 1,600 examples. Swaledale, with around 20 examples in three known areas of prehistoric rock art, was not thought to have especial significance in this respect. The new panel was discovered in an area not previously researched. It was hidden within deep bracken, and partly buried under turf and debris on a glacial terrace above the river Swale. It is a large wedge-shaped boulder, 2.1mx1.5m and 40cm thick, and marked on its front, side and sloping face. The decoration on the latter consists of 81 cups, 15 of them surrounded by single rings and one by three rings. All are incorporated within a design of shallow pecked grooves. An arrangement of serpentine grooves is visible on its north vertical side, and a pecked single groove and cupmark adorn its western side. On the western part of the face, where cups, rings and a "rosette" of eight cupmarks have been enclosed by a meandering groove, the carving is particularly fresh. By contrast some grooves have all but disappeared from its weathered eastern face. The date and purpose of these carvings are much debated. Few have any context allowing dating by association, and all but a very few of the carvings are no more than abstract grooves and depressions. Richard Bradley, professor of archaeology at Reading University, has suggested that more complex designs, such as this new Swaledale stone, were sited where they could be seen from a distance, often on high ground, and indicate the locations of former paths and boundaries in parts of the landscape that were not permanently settled. It is thought most are probably late neolithic or bronze age in origin (c 3000–1000BC). In the press |
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