PREHISTORIC ORKNEY
Two of the oldest houses in north-west Europe, last used in
about c3100BC after a 500-year period of habitation, need
only have their roofs put back on the wall-tops to be habitable
again. These houses are at Knap of Howar - one of the less
accessible Orkney islands today - and it was Anna Ritchie, author
of this book, who re-excavated them and proved their early date.
A chapter-title `Everyday Life' in any popular book on British
prehistory is likely to focus mostly on another settlement on
Orkney - the extraordinarily well-preserved later Neolithic
houses at Skara Brae - and, again, Anna Ritchie is more than
usually justified in writing about the subject, because her own
excavation at Skara Brae recovered domestic minutiae that have
added an extra dimension to our understanding. She found, for
instance, that the inhabitants dined on great auk.
Between Howar and Skara Brae lie substantial differences
in house and pottery-types, and behind the author's fascinating
detail, presented in her easy-to-read style, it is good to find
up-to-date hard scholarship attempting to explain these
differences. It is the more impressive for her awareness of very
recent excavations which have not yet reached publication.
Neolithic houses and chambered tombs, and the great stone circles
which mark the Neolithic-Bronze Age transition, account for so
high a proportion of Orkney's upstanding monuments that it is
unsurprising to find this period taking up half the length of the
book.
The section on the Bronze Age - the most difficult period on
Orkney - is less satisfactory. Its title, `A Prehistoric
Recession?', is unfortunate, as the discovery of Bronze Age
homesteads on very small islands (where, exceptionally, they have
survived) seems to me to hint at a high level of population, with
anxiety to use every scrap of land. Her treatment of the Iron
Age, on the other hand, a warlord society dominated by great
broch-fortresses, is exciting and perceptive.
Raymond Lamb is Orkney's archaeologist
THE DIFFUSION OF CLASSICAL ART IN ANTIQUITY
This book is about the impact of Greek art on the non-Greek
cultures of antiquity. It aims to discover what happened when,
through trade, an artist's own initiative or colonisation, Greeks
came into contact with people they regarded as foreigners. Much
of the story falls into the early Iron Age, the orientalising and
archaic phases of Greek art when, after centuries of isolation,
the Greeks began to enrich their own culture by looking outwards,
trading and planting colonies abroad.
Sir John Boardman is the author of the standard treatment of this
subject in The Greeks Overseas, which is the masterpiece
of his prolific scholarly output. Here, however, he is not
concerned with the effect of foreign influences on Greek art, but
with the reverse phenomenon - artistic borrowing by foreigners
from Greeks.
Boardman's well-organised and fully-documented narrative
takes the reader on a journey around the fringes of the Greek
world from Spain to the Far East. In some instances, notably
Egypt, Greek art made hardly any impact on the native tradition
before Christian times, while in others, for example Etruria and
Rome, the transforming effect of contact was almost overwhelming.
Boardman speculates briefly on the factors that governed such
variation, but ultimately he is not so interested in questions
relating to why, as to those of how and what. He largely
dismisses the former question by arguing that the borrowing
process was mechanistic, constituting a `reception of Greek art
without understanding'. It is, he says, about media rather than
messages.
Boardman's narrative lacks the compelling focus of The
Greeks Overseas. There the central idea is one of human
endeavour, reflecting political, social, economic and artistic
expansionism. This book is not about people, but objects; it is
less concerned with ideas than with facts. Boardman's writing,
however, is plain and straightforward, and his theme is
well-illustrated in this well-produced book.
Dr Ian Jenkins is an Assistant Keeper at the British
Museum
ANCIENT INVENTIONS
This is an amazing and wonderful book. The authors say they
began it because, as an ancient historian and an archaeologist,
they were plagued for years by questions from friends and
acquaintances about scientific, technological and practical
know-how in the remote past (most of us have at some time or
other been faced with the same questions). So they set about
reading widely to put together some answers.
In the end they have compiled much more than the answers to a lot
of questions. Certainly the book covers `ancient inventions', but
there is a mass of material also about early technology,
industrial processes and engineering skills.
The publishers and the book clubs have much to seize on
here to sensationalize the contents and no doubt sell more
copies, but I shall refrain from doing so. Instead, let me
indicate the wealth of material from the chapter headings and
contents: medicine, including eye operations, plastic surgery and
brain surgery; transportation, including map-making, odometers
and the compass; high tech, including computers, clocks and
coin-operated slot-machines; sex-life (bound to be a popular
chapter, this), including aphrodisiacs, dildos and sex manuals;
personal effects, including make-up, tattooing; and so on. The
list seems endless.
There are important lessons to be learned in this book, the main
one being that we should never underestimate the skills and
abilities of people in the past. Much of what we think was
developed in later times actually existed earlier on, or the
ideas were being developed. Our respect for earlier peoples
should be higher.
Mick Aston is Reader in Archaeology at the University of
Bristol
TRIPOLITANIA
The manifest achievement of the colonial period
in North Africa, whether French, Italian or British, was the
clearance and, in many places, restoration of a great
archaeological heritage of standing structures. Subsequently,
archaeology has been compartmentalised by publication in three
different languages - French, Italian and English - and the
synoptic view has been rare.
Now, thanks to David Mattingly, we have this volume spanning the
area of the Roman province of Tripolitania. It sets the study of
the province on a par with more familiar provinces for the
northern part of the empire, and will remain the standard work
for the forseeable future.
In particular, it has the advantage of several new approaches
that have only appeared previously in the form of articles. First
of these is Mattingly's own work in deciphering the web of
Libyo/Punic tribes within the area and applying this information
to the historical narrative. Second, his own work either side of
the Tunisian/Libyan frontier, and much synthesis of French
exploration of the area south of Gabes, have enabled him to
present a fresh overview of the involvement of the military in
the 1st and 2nd centuries AD, and the development of frontier
control, as a growing number of clausurae, or
wadi-blocking ditches associated with watch-towers, have been
located.
From this background, Mattingly turns to the more familiar
archaeology and architecture of the great coastal towns of
Tripoli, Sabathra and Leptis Magna. He takes full advantage of
the stratigraphic evidence now available from the post-war
excavations at Sabathra and fresh survey evidence from Leptis
Magna, where aerial photography has added to knowledge both of
the early Libyo/Punic entrepot and the vast scale of the western
suburbs with their warehouses and caravanserai.
The wealth of the coastal cities is known, as Mattingly has shown
in a number of important papers, to have rested primarily on
olive oil production controlled by the great families such as
that of Septimius Severus, the first African emperor and a native
of Leptis. The tentacles of the olive oil industry stretched far
across the Gebel into the pre-desert recently explored by the
UNESCO Libyan Valleys Survey project, and Mattingly uses this new
database to show the range of agricultural produce derived from
farming the desert fringe, and also identifies the cultural
continuum in the tribal population.
Barri Jones is Professor of Archaeology at the University of
Manchester
Return to the British Archaeology
homepage
© Council for British Archaeology, 1995
Orkney's excavator leads the tour
by Raymond Lamb
Anna Ritchie
Batsford, UKP14.99
ISBN 0-7134-7593-5 pb
When Greek art went travelling
by Ian Jenkins
John Boardman
Thames and Hudson, UKP34.00
ISBN 0-500-236968 hb
A thousand things you didn't know
by Mick Aston
Peter James and Nick Thorpe
Michael O'Mara, UKP25.00
ISBN 1-85479-777-8 hb
Placing Roman Africa on the map
by Barri Jones
David Mattingly
Batsford, UKP55.00
ISBN 0-7134-5742-2 hb