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The organisers were thanked and congratulated for bringing
together such a fresh group of speakers and participants. A number of those
attending were relatively young, and new to the MSRG. There was a good mix of
disciplines, with a distinct geographical slant, and there were both speakers
and those involved in the discussion with literary interests. Mark and Keith
maintained a relaxed and friendly atmosphere, which was conducive to discussion.
There was not a lot of time for discussion after the morning session, but that
was partly because a speaker overran. There was a lot of informal conversation
arising from the papers and formal exchanges over lunch and in the pub
afterwards.
Summaries of the papers are on the web site, so there is no
need for me to repeat that material in full. The purpose of this report is to
convey some of the results of the workshop, and to pick out ideas that seemed
new to me, or which were expressed with a new vigour. The ideas selected are
subjective – they reflect my perception of the event, which will differ from
others. I have attributed them to individuals by means of initials, or sometimes
Disc means that something came out of discussion. I apologise if I have
attributed to individuals points that emerged in discussion or which occurred to
me as a result of hearing the paper.
The morning session was about domestic space, and these
ideas emerged :
KG. houses and public buildings such as guild halls and
churches should be studied together, as all were products of the same society.
We should look for diversity and flexibility, and not force
buildings into categories, and assume one-track lines of development, e..g from
public halls to private rooms.
Those who study buildings should be prepared to learn from
medieval literature, including philosophical writings.
Buildings should be analysed as inhabited spaces, and they
tell us about families and households who used the space internally, and their
outward appearances tell us about wider social relations as identity and status,
even social competition.
The evidence of standing buildings and excavated plans
should be used together.
SS. Peasants had their own sense of space, and indeed they
arranged their houses according to their own needs and ideas.
Villages had a uniform appearance, because the houses were
built in a similar style and in similar layouts. The arrangement of houses and
plots reflect unity and co-operation.
Resistance to authority is suggested by stone robbing, use
of handmills and bone evidence for poaching.
‘Domestic’ space not the most appropriate term, ‘household’
would be better.
We should be more conscious of gender in analysing village
plans – some space might be especially likely to be occupied by women.
TO’K. We should draw on post-modern ideas in anthropology,
sociology and cultural studies, which would render existing approaches obsolete.
MG. How should we look at buildings ? Did planned spaces
and buildings change the people who lived in them? What was the role of the
builder ( carpenter) and the client in deciding a building’s form ? How can the
form of settlements and buildings tell us about community, unity, egalitarian
ideas, and resistance ?
Was there an element of nostalgia (or regard for the past)
in the perpetuation of archaic lay outs in buildings and settlements?
Disc. Literature has a lot to tell us about buildings, as
houses and space within them are often used as metaphors, and they can tell us
about expectations of how a house would be used/inhabited.
The first afternoon session was about settlement space:
BM Manor houses and churches are often juxtaposed,
creating symbols of power and authority, but sometimes lords did not found
churches near to houses, but placed manor house near to an existing church and
incorporated church into their enclosures.
In their search for privacy lords sometimes built ‘secret
houses’ away from settlements.
KL. In explaining planning, are literary texts helpful in
explaining in who planned and how and why ?
To what extent did contemporaries impose on the plan after
the event meanings which were not in the minds (consciously anyway) of the
planners ?
What was planning ? It was forward thinking, with
reference to founding a new town, and giving it a plan. We must consider what
planning meant, and relate it to the broader conceptual spatial imaginings of
the period ?
CF Were plans inspired not by rational calculations of
the best use of space, or just a desire to look neat and orderly, but by
specific liturgical priorities which were of paramount importance to
contemporaries ? Specifically in the case of Salisbury, did the streets follow
the lines of processions established before the town was built ?
TS Which came first, the plan or its
justification/explanation/ideology ?
We should remember the explicit accounts of
astronomical/astrological considerations in far eastern city siting and
planning.
In medieval Europe we should remember the role of colour,
sound and movement in the planned spaces, and the incorporation into the town
of living and natural things - trees and springs for example.
The second afternoon session was about landscape space:
SK An examination of ghost stories shows how
contemporaries were anxious to draw a clear line between the living and the dead
– the graveyard was an important landmark in the community, but must be kept
separate.
RL The commonplace assumptions about the aesthetics of
the surroundings of castles, and emphasis on ‘views’ and the impact of a
building and its setting on the visitor, have gone too far. We should not apply
notions of landscape design from the modern period to the middle ages. We should
be critical about seeing this type of planning everywhere. Perhaps we put too
much emphasis on that aspect of ‘perceptions’?
Disc. Some philosophical doubts about whether the terms
that we use, such as ‘landscape’ and ‘perceptions’ had a commonly agreed
meaning.
Important to attempt ‘joined up thinking’, so that those
concerned with landscapes and settlements were aware of the thinking among e.g.
prehistorians, and were willing to learn from, for example, students of
literature.
Chris Dyer, March 2007.
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